Jen Tse
By
Wally Swist
Entitled
I have only a minute left
on the dryers my clothes are still spinning in,
and I queue behind the bespectacled student
who is placing her laundry in the machines
to my right. We don’t even exchange a word,
since her body language communicates volumes—
she is emblematic of her generation: impatient,
entitled, rude. She epitomizes
the false tautology that a modicum of effort
maximizes the result most desirable, but what
transpires is, unconditionally, an effect that is opposite.
She pushes the carriages around her out of the way,
including mine, with an air of impudence
then strides out of the Laundromat to her car—
bristling, haughty, impertinent.
If I had said anything to her, I might have been arrested;
but it was everything that was lacking in her behavior
that I absolutely detested.
Distance
What I remember most
about the drive north to Connecticut from Miami
is the blueness of the rainy evenings;
the stopping at diners for our meals, fragrant
with coffee, burgers, and fries; flipping through
the selections on the jukebox, the rhythms
of the Doo-wop beating in time with the raindrops
striking the windows of our booth, Sinatra’s voice
soothing the poignance of the storm;
then there was the smell of mothballs and bibles
filling the emptiness of motel room drawers;
my father visibly aching from the long drive,
my mother’s interminable patience that everything
would all work out when we arrived in Milford
to reconnect with friends, to visit with her cousins
in Ansonia, worrying that she needed to enroll me
in parochial school before the school year began;
intuiting the need to finish things before her
unexpected collapse from the cerebral hemorrhage,
to die six days later on the operating table;
leaving behind a son immersed in the amber
of catatonia, a husband who would wear his
bereavement as he would bear a wound; however
it was in our driving beneath the hanging Spanish
moss in Georgia when we passed a chain gang
in their red and white stripes that I met the gaze
of an African-American man with an animated
face, quizzically meeting my eyes, looking out
the backseat window; his expression intimating
to me how much he wanted to be unchained again,
to be able to put down his pickaxe and to get out
of the heat, to quit the punishing road work
of breaking stones, to throw off the gravity
of the iron weighing down his limbs, and as our
car continued up the road, to climb in with us,
to release himself from his captivity, to revel
in seeing the distance accrue into the magnitude
of the passing landscape, the stark glassiness
of his eyes staying with me all of these years,
the pleading in them, his dire face expressing
the dread I would come so well to know myself
that openly relayed please don’t leave me behind.
Mayakovsky, in his "How Are Verses Made", said something along the lines of poetry being the art of finding just the right distance. Wally Swist's Distance might just be a perfect example of that aesthetic.