By
Lianne Kamp
Justice in Muzaffarabad
often the horror lies in the details –
the minutia that paints the bloody picture
but sometimes it is in the white space –
the blank emptiness where the depravity ferments
the questions pile up relentlessly – forming
shadows of images that strangle the imagination
did he weep tears of justice and choke out her name
as he emptied himself inside her rapist’s sister?
did he moan with pleasure, this righteous brother,
while a sixteen year old girl was sacrificed on a bed?
did she squeeze her eyes shut, did she scream or
plead, or hold her breath to keep her soul from escaping?
I scratched all these questions in black pen filling the
white page and carried it to the ocean, setting it
adrift – and the water drank the black ink, sunk it
to the bottom of the sea where it rose up again as
white foam on the waves – because even the ocean
was not vast enough to contain it
Lianne Kamp
I came to Boston many years ago to write poetry. Although I never abandoned poetry altogether, life had different plans for me. I have rediscovered the importance of writing and over the last year have been published in a number of Prolific Press journals. Mainly, I write poetry to make my world more panoramic by watching it more closely.
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