Sam Austin photo
By
Rony Nair
Linctus
There are backpacks of redemption,
filled with silt. Misanthropy.
Masquerades of entropy spewing in from the gutters inside the head
through teat tubes
flowing downwards sick recesses in your brain
oozing down your neck. inebriated. insane.
There must be waddings of contusion.
taxidermal. Spectroscopic visages
Witnesses sitting in judgement. Freshly minted crime.
Wandering minds prequalify playing the last post
crossing shift lines, slow moles on your neck
aligned. Dots. Chins.
Furrows draw new borders. Naked. Sin bins.
how will it look if I made soap out of cowdung?
how will it look if I made water out of wine?
how will I look if you escaped from the shadows?
how will I look if our minds were mine!
Juwairiya 6
there wouldn’t be codeine breasts
saddled rests
linctus braking away in rebellion. releasing
android sperms and conjugal
births
ejaculations in falsehood
conjoin and burn
through it all went you and me
distorted versions of blasphemy
wicker chairs and blurry glares
your hand rests now
where your head once did
rattled spaces
conjoined grades.
coded anger. whispered hate
through it all we bite each other,
stealing stasis, killing time.
Untitled
you wouldn’t know where you lost yourself,
as you run and run
against grains, of myth and deception, against feints of grope and disambiguation.
you run as fast as the causes change
beneath mew toned facades, renewed erections. strawberry lanterns, culverts to the bed.
hold all’s grope the narrow edges where hope
once cascaded in a filtered sequence of spectrum analysis.
art you said, was photos shot in hues of greenery,
and rabid dogs, running past their victim
once they had him splayed down across
nunneries; of deception.
Complaint no:
the most celibate rooms run posters of circular sprawl.
contours of color,
to pretend that our drab lives make gaudy leitmotif.
yet there are corners where books sit and watch over them all
books I held a long time ago
before they were touched.
by you.
Rony Nair
Rony Nair’s been a worshipper at the altar of prose and poetry for almost as long as he could think. They have been the shadows of his life.
Rony Nair is a poet, photographer and a part time columnist. His professional photography has been exhibited and featured in several literary journals. His poetry and writings have previously been featured by Chiron Review, Sonic Boom, The Indian Express, Mindless Muse, Yellow Chair Review, New Asian Writing (NAW), The Foliate Oak Magazine, Open Road Magazine, Tipton Review, and the Voices Project, among over 40 other publications. He cites V.S Naipaul, A.J Cronin, Patrick Hamilton, Alan Sillitoe, John Braine and Nevil Shute in addition to FS Fitzgerald as influences on his life; and Philip Larkin, Dom Moraes and Ted Hughes as his personal poetry idols. Larkin’s’ collected poems would be the one book he would like to die with. When the poems perish. As do the thoughts!
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