Barry Stock photo
By
Asante Keron Hamid
Box News (or, Tomi Lahren for Those Who See Color)
I fidget over concepts
of lawless silhouettes
puzzling together blood sport
in young black snow
Clean black snow.
Somewhere in the soil of
a concrete jungle, I was
clean black snow
Pulp fiction
is to be colored
in faded tones —
be yourselves, sisters and brothers; be our worst fear
—
Flickering wrist: The shot goes glass,
it rims out of the basket in through the
spine of a brother. Bold black life cracked
open, his flesh smatters the ether
It made Fox News and
no one cared for it either, but a
Knicks’ losing streak is what will
scare forth ire
We trap our brothers and sisters
when we think we’re imprisoned.
Coming to you live
from a peephole in the system
Corner Pocket
I see dead people.
I see children in a red sea. I see
concrete in blood tint. I see bullets
in a hail of confetti celebrating the
end.
I see so many dead people.
I see mouths curl to undress
mental health in design of a perpetrator. I see
lips bend up the alley of “thuggish
behavior” in colonizing others.
When you pull his face up to the screen
by the collar of his crime and you coddle him
by calling him a “lone wolf,” or
“mentally ill,” or
“traumatized as a child,” you free him
from the weight of what he did.
You free him
from an added layer to a prison cell you’d
hope he found within his mind. You inspire
the next wave of Dylan Klebold and Eric
Harris; you ask that Dylann Roof not be removed;
you beg for Adam Lanza to initiate the vigils
where we bathe in candlelights.
You ask that
people die out in the street, die before their
proms, leave for candy with a hoodie on and never
make it home. You ask that people pay the fee
and never see the film. You ask that students say
they never left grade 12; that semi-autos turn
Heaven into grade 6.
Lord, I pray that there’s a God, though
I sway back and forth like ocean under a log
when I wash myself in questions to an interview
in silence that may never see response, as a siren
in its own silence does become a bomb.
Which of the almighty wrote in stone
that we must see children die by unholy hands? Why
have You devoid the world of unwavering law, firm
enough to take the fire from our arms? Why, oh why,
is the white guy on ball teams most often the designated
long-range, three-point
shooter? Why.
Asante Keron Hamid
Born and raised in the grit of Brooklyn, NY, Asante Keron Hamid is a college English major while tripling as a socially-conscious poet, all-purpose writer, and music enthusiast. His poetry will be published in The Ibis Head Review, as well as on The Perspective Project, both forthcoming, with a website of his own on the way.
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