UN photo
By
Kashiana Singh
A binary collective
The girl in the red coat
I dare you to let me live again
I dare you to heal your amnesia
I dare you to look into my tears
I dare you to bear being alone
I dare you to die without regret
I dare you to cross the last port of entry
disappearing into windowless tents
I watch, your lethal aides come and go
As caravans move excruciatingly slow
tent to tent, growing miles of dissent
I huddle under my red coat
and hope, the specter would keep away
souls astray, soles of my shoes, in fray
collective phobia, anger serves as our moat
puppet like from camp to camp
plunged from home to home, city to city
reclaiming my words, mapping a geometry
hardened wails are key to survival as a tramp
I dare you to let me live again
I dare you to heal your amnesia
I dare you to look into my tears
I dare you to bear being alone
I dare you to die without regret
I dare you to cross the last port of entry
Just another weekend
it’s a weekend
a diverse neighbourhood
a predictable Saturday evening
celebrating
rest, togetherness, gaiety
a typical nondescript night
suddenly shaken, by falling shreds of glass
like confetti
spectacular explosions
heard across the river
not fireworks, not fireworks
a fearless declaration
of dread
by the faceless nameless shameless
shoppers at the Mall
going about business
coupon redemption
prosaic weekend
unexpectedly awakened
to religious brandishing
Satan
had come shopping too
leaving behind
some ravaged
cutting -edge
conceited reminders
all are equal, wounded
in the grasp of the Shaitan
another city by the lake
ready to sail
just barely eliminated
the chance of being
added to statistics
of this weekend’s
incident debriefs
meanwhile,
at
the headquarters of hell
infernos were ablaze
luminous and predatory
it’s a weekend
disappointed, i
mute my noises
and pack hardboiled eggs
for lunch tomorrow
another week before
another weekend
in between there will be more
Kashiana Singh
Kashiana Singh, 51, is a management professional by job classification and a work practitioner by personal preference. Kashiana’s TEDx talk was dedicated to the topic – Work as Worship. She has deepened my belief in “Work is Worship” over nearly three decades of pursuing a regular mainstream “job”. Kashiana used her fascination for writing and teaching as life hacks to find the hidden moments of worship in daily tasks, chores, and duties. Her poetry collection, Shelling Peanuts and Stringing Words is written as a participant and an observer. She dips into very vulnerable and personal contexts but also explores the shifting tectonic plates of the world around her.
She is from India, now lives in Chicago and bridges the miles by regularly etches her thoughts on her poetry blog – kashiana.wordpress.com
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