Poetry

By

Volodymyr Bilyk

Nonage anagnorisis

deliquescent swell,

murmur…

affable smoke.

Jason goes to Hell.

Freddy’s dead was not Freddy’s Dead theme song.

After Return,

Revenge and Curse

– the only thing that Michael was able to figure out was resurrection.

After all those years – Ash is still unable to recite Ash Wednesday

And if we think about Wednesday A. – nothing will add up.

Childhood’s end was just another Iron Maiden song…

Onomatopoeia report

FLITTER-pineFINCH versus SQUAWK-clapWRETCH

KUNK! oof!

KLUDD!

snak! snak! snak! ching! ching! ching!

KNOFF!

KHAKK!

KRAKK!

WHOKK!

smek smek KOOGH WHUK!

WHUK THUD swak POK whap

tuncH tunCH TUNCh

KAK KRAK WHUK!

KNUFF Khagg blagg

huk

k

hukk

poom whump

RAKKA RAKKA RAKKA RAKKA RAKKA

KRUNCH!

POOM! POOM!

Whudd Whudd Whudd Whudd  Whudd

THOKK WHUMP

Krak Chok Krak SKRAKK

GAaa TUnch

KRAkk

CHUD Chakk KRUNch CHUd kluGG

krukk smak

TACH

klok kraM

Huff-huff unff-huff huff

khoFF khaGG kheFF

Volodymyr Bilyk

Volodymyr Bilyk is a writer and translator from Ukraine.

His works include: visual poems in the series This is Visual Poetry (2013), CIMESA (2013), Casio’s Pay-Off Peyote (2013), SCOBES (2013), THINGS (2014), Laugh Poems (2014), Vispo Ay Ai Ay (2014), “To When Tea Ties Hence to Wank It Too” / “Eminent Means of Basil Dado Hem-Welt” in The Chapbook 5(2015) and screenplay for the film “Waking” (2015).

His works were exhibited on Bright Stupid Confetti Asemic Show, Yoko Ono Fan Club, Venti Leggeri in Bologna, The Spiral Asemic Show in Malta; EL MARTELL SENSE MESTRE in Barcelona, The Future is Here Again: VISUAL LANGUAGE in New York, 1st International Literary Fair of Mato Grosso (2015), World Association of Visual and Experimental Artists in Valjevo.

He is also contributing editor of Utsanga.it.