By
Sudeep Adhikari
The Lost Art of Making Galaxies from Zero
Temporary interludes. Memory crashes on you
and you start again like a new island,
with new greens, some liquid blue,
a small rag of ether and some dusted
diamonds for the sand. The shadows of relations
and relativities, linger. Reverse engineering
of absolutes and permanence, to make home
from the incessant flux
of vortices, changes and ephemeral ghosts.
In the box , a man lives
in pieces, quantums and discontinuities
and outside: a gestalt, a mosaic or a painting
a Janus, with the faces of gutter and God.
Truth is an untruth. Permanence is a fabrication
there is no finding the meaning of life,
because it was never lost,
and because it was never there. Androids play
the language-game, lost in the maze of Turing-Tests.
I have nothing to say, I have nothing to do
but I keep saying it in a john Cage way,
and I keep running their marathons.
Freedom. It is no more than enjoying the game,
when you realize its emptiness
but keep making the shapes of water-bubbles and fireflies.
Poetics of New Acoustics
Dystopia used to be a myth. But now
I live like a Transformer, headbanging
on the sonic booms
lacerating skins of Gaza-strip,
Baghdad, Belgium and Lahore. People
have evolved. In place
of their head, now
they carry a Call-of-Duty type
mask of Kevlar black.
The territorials are coupled
with the terror-machine, through oil-ducts
made of high-end alloys
heat-treated, non-corrodible
and desert-friendly. Middle-path,
middle-east, middle-finger
media-machine squeaks. Free-thoughts
are not free after all. New-age
Whitmans and Wordsworths,
they need to hear the ultra-sonic sirens
of titanium drones, and the rattles of MH370
rivers don’t flow
with the same tranquility anymore.
A new layer of sonosphere, now circumscribes us
and Beethovens are pretty out of context
we need to find love, in a different way
and make some poetic-machines
for the new sounds of our time.
Sudeep Adhikari
Sudeep Adhikari, from Kathmandu Nepal, is professionally a PhD in Structural-Engineering. He lives in Kathmandu with his wife and family and works as an Engineering-Consultant. His poetry has found place in many online literary journals/magazines, the recent being Kyoto (Japan), Scarlet Leaf Review (Canada) and Red Fez (USA).
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