Reuters photo
By
Stephen Philip Druce
The Gardener And The Rose
The gardener felt
inferior to the rose.
The rose, with its natural
beauty for portraits –
a blazing jewel in the dirt,
flaming without fire,
ice cool for the burning sun,
alluring to the bees, its sweet
perfumed scent, its eagle petals
that swooned with clutched
un-spilt raindrops, bestowed
from ballet clouds.
Then one day the rose got
too old. The gardener wept as
he cut it down –
the rose with the inferior soul.
The Murmur Of The Goose Machine
Behind the shuttered rapture
the raconteur pours a diamond sun.
Did you hear the murmur
of the goose machine?
As you slinked astride rackety
fruit stall – gorged on shrieked
spleen to its riotous belly,
did you clamour to such book flesh,
as trumpeting foxes leapt from
dead chapters on paper horses?,
did you warn the night fox
of the snapped twig?
For the storm preacher, did you
run with drumming hounds upon
drunken daisies splashed in carnival wine?
Or did you turn and face
the dust in the cruel wind?
Don’t Let Me Go
When last
candle dusty,
when forgotten
clocks stop,
when the last
mandolin plays to
the last rusted
snowdrop.
When church
bells fall in silence,
when wishing well
coins decay,
when the wizened
once joyful children
would on frozen lakes
loudly play.
Where tree rings in
open severed – their mortal
leaves in feathered weep,
when the goodbye
sodden tiger dries in
faded penned to sleep.
When my softly
seared to embers,
as the curtains close
the show,
til the sun devours
your final hours – til then
don’t let me go.
Wedding Nausea
Anywhere but here – but I am.
I am a wedding guest.
With my death the only
legitimate excuse for my
absence, I attend the church
ceremony under duress.
I stand dutifully, singing a
hymn I don’t recognise, among
an unspiritual congregation of
penguin-suited, pink-tied,
carnation-wearing twits with
personalities so hideously square
I feel unwell.
The bride is late, but the groom
had better not be, or the bride
may display public hysterics in a
wedding dress – a dress so
aesthetically pleasing she dare not
wear it more than once.
The father of the bride gives his
daughter away as if she were a
second hand car – a spectacle so
grotesque I have to close both eyes.
The only upside to the phoney bash
is that the church keeps the rain out.
The best man’s speech anecdote –
based on the occasion the groom left
his sandwiches on the train, prompts
wild guffawing as artificial as the wedding
cake: a sickly souvenir cake meticulously
created, but wouldn’t tempt the taste buds
of a starving orphan.
Some of the guests are unloved – never
been loved. Nevertheless, obliged to express
their unbridled joy for the newly weds, obliged
to grace their pretentious protocol party while
simultaneously restraining their own impending
vomit.
Stephen Philip Druce
Stephen Philip Druce is a poet from Shrewsbury in the U.K. He has previous publications with The Playerist, Cake, Muse Literary Journal, Ink Sweat And Tears, The Inconsequential, The Taj Mahal Review and Spokes.
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