zoriah photo
By
Mbizo Chirasha
Drumbeat- “Raising Mukondi” Phase2 (Brave voices Poetry Journals – The Zimbabwe We Want Poetry Campaign is this time of the year in partnership with Campio Burns Group- “From Ashes of the Fire”. We are in solidarity with the burn survivors – Solidarity with Victims of Xenophobia, domestic and political violence, we are in solidarity with victims and survivors of burns and domestic violence, we are in solidarity with the victors who managed to pull through defying the aftermath, scars, pain and trauma.
We say write it, say it, talk about it, tell a story. We say poetry heals and words are a form of therapy. Let Poets from across the globe write on this cause alongside victims of burns, violence, xenophobia and maltreatment of refugees. Let’s tell our story through poetry, testimonials and flash fiction.
The Intervention is offered space at the Zimbabwe We Want Poetry Campaign Facebook platform (100 thousand poets for peace-Zimbabwe on Facebook). Campio Burns Group –“From Ashes of the Fire” is founded by Beulah Faith Kay, an advocate for peace, life skills coach, Poet and a literary arts activist. She works along with other great people around the world. The organisation is doing great through integrating burn survivors into communities by telling their story. We are proud to say that poetry is a refreshing form of therapy that serves heals scars, wounds and burns from inner to the outer.
We continue to invite our poets, new voices, regular voices, victims and now victors to send poetryrelating to the above mentioned cause and themes to Mbizo Chirasha. Thank you Nigeria, Kenya, South Africa, Pakistan, Cameroon, India, Zimbabwe, United States of America, Liberia and Zimbabwe for taking part – Mbizo Chirasha
EVERY BIT ADDS UP!
Our King plays brutish music of the people’s cries
and rocks to it in obscene joviality.
Seeing him baring his shy hippo teeth
is a blessing to us
and comes but like Christmas
~once in a year.
Against our humble law-biding pleading,
for clemency and life,
his heart is a repellent, fortified barricade,
but a barrier raised of crumbling sand
towards his absolute, frivolous thirst
for human blood.
His ears are very sensitive antennas
far impulsive to detect waves
of his open opposition and fiery criticism.
He lives in mobility like a fugitive
and much often panic at his own footfalls,
and distrust even his own shadow,
but brags of his invincibility at public rallies,
in tirades showering toxic saliva stinking with paranoia.
Our King wipes his ass
with American banknotes
and his nose
with the British Pounds
whilst his subjects dwindle with poverty and fear.
He sips with a golden straw
for his dessert,
the people’s bloody sweat spilled in cheap labor and exploitation.
His eyesight is good towards misdeeds
but to see the worthy successes of an industrious nation
His Royal highness asks for eye lenses.
Our King is now sitting upon his balloon testicles
but blindly think he’s still reposing on his royal throne.
Next time that he shall try to sink further,
seeking for excessive comfort,
great shall be his suicide.
It’s a question of time and time alone.
For to repeatedly take the same risks, to oppress a nation!
Eventually will end in great disaster.
(By Blessing T Masenga – a bold word guerrilla, a fiery poet through his writings tirelessly and boldly seek to strip nude the oppression and the violations of basic human rights)
A DILEMMA
Patience doesn’t pay
But only averts in a way
For they preach what they ignore to practice
And the reality remains of milking dry the victims
They swear and their vows are perjury
How I wish if I was a jury?
To roast this detriment
Those who are crying
Are recompensed with utmost pain
Those who creates awareness
And defends, justly
Are marginalized
And sacrificed on the cross
Like Christ nailed innocent
Only filthying the altar
So I beg you to rise to the occasion
Let’s fiercely expel them like demons
Another Chimurenga that drove the Smith regime
Of patriotic regiments
Driven with the passion for justice and a competent governance Patience doesn’t pay
For years we have been patiently waiting
But only in vain
Promises comforted us
Then scourged us as fool
The nation is in dire straits
(By Sydney Haile Saize I – a word guerrilla, a fighter for justice and a Poet in Residence for the Zimbabwe We Want Poetry Campaign. Haile is also a journalist, social change activist and a writer)
OF SALT
Of salt, solarium and bulga –
It came to us as salary –
Bulga is budget,
‘to be paid in salt’
Taxed and bribed in salt –
Of one ‘salt house’,
Gandhian salt march against excision,
The take home is salt
Nevertheless and bulga –
Salt and bulga
Pouched in leather, salt –
‘a hawker I buy boiled eggs from,
would feign having sprinkled
salt and spice on the yellow
and white of egg’,
For this age salt is no good –
He says with melancholy indifference
Avoid blood pressure hike,
A fistful more of salt
Meritorious reward of three salaries –
That’s a pinch of salt
And bulga?!
(By Sadiqullah Khan – The Brave Voices Poetry Journal Solidarity Voice from Pakistan, Dr Sadiqullah Khan is a gifted poet of immense insights and creativity. Writing on a range of subjects his themes are social, spiritual and politically aware. Looking the domains of day to day living, delving deep into the sufferings and joys he seems to be the voice of dispossessed and the vast majority of poor he passionately identifies, yet his art touches the high mark of existential writing, unique in style and composition, he appears to lead his own genre. He belongs to Wana, South Waziristan in Pakistan)
BLACK AND FREE
Freedom is no fear
If I could only have half that
To have a voice
To have my hands steady
To have my voice smooth
To be a black woman, free
An ugly black woman, beautiful in many ways.
To feel great and bold
To dance without watching my back
To walk and my steps be heard
To be a black woman, free
An ugly black woman, beautiful and strong
The pale think me ugly
But am an ugly beautiful woman
Fighting to be heard
Fighting to receive affection.
Fighting for respect
a beautiful black woman fighting for her children
a beautiful black woman
(By Nungari – Nungari Kabutu is a student in Kenyatta university taking English and Literature, she is involved in writing and reading poetry with a group of other young writers from campus, she enjoys reading poems by Maya Angelou (her favourite being Phenomenon woman ) and Okot P, Bitek. She also enjoys photography and swimming)
ROYAL WEDDING
Third or fourth I recall –
Good to set timeline with
The year they married
The gossip and paparazzi,
Whether to break with
Or continue stifling ceremony,
A fairytale to the young
Still unwed, or recourse
To the stump of ancientness
To display freedom against
By rebelling and
To trample under foot –
One way of refusing
Disdain to be skewed
Meaningless rite of marriage
A charioteer from
Royal stable, – on whose shoulder –
To weep, – the bride –
Or wish to demolish the house
Of stone wall –
And escape into eschatology
Of dark deaths –
But they might live bright,
The would be Queens
And the Kings accompanying.
(By Sadiqullah Khan – The Brave Voices Poetry Journal Solidarity Voice from Pakistan, Dr Sadiqullah Khan is a gifted poet of immense insights and creativity. Writing on a range of subjects his themes are social, spiritual and politically aware. Looking the domains of day to day living, delving deep into the sufferings and joys he seems to be the voice of dispossessed and the vast majority of poor he passionately identifies, yet his art touches the high mark of existential writing, unique in style and composition, he appears to lead his own genre. He belongs to Wana, South Waziristan in Pakistan)
BOLD FACE TO FREEDOM
Hers is a dark tunnel,
One I wish not to trend,
Where hope does not trend
She’s overwhelmed and depressed
what she faces is unchangeable it seems
Trapped in a bleak situation
with no hope for rebirth or resolve
her back bears the memories of pain
Inflicted by the one who earthed her
Her father one of her mother’s loyal clienteles
probably one with the insatiable desire for younger blood
She has lost her innocence to no prince charming in her secret childhood fantasies
Contrary to parents nature of protection
Her mother is the source of her emotional roller coaster
The marks on her hands bear witness,
the dig-ups done by the hands of a witch
Society grown cold to the cries of the unfortunate,
Abandoned too by the justice system that is potbellied from hefty bribes
She has learnt to lull herself to sleep with the stinging pain from her loins and back.
Today marks the end of it all she hopes,
For today she has made up her mind,
To have no one violate her to enrich the ungrateful witch
The price of her liberation a massive one to pay,
The once beautiful Natalie has no face but a mask
Her new face of liberation, the burns on her face inflicted upon her, from the steaming illicit liquor
Now the deaf and blind world listens and sees, her bold, wrinkled face to freedom Crowned at last she feels.
In cuffs the witch exits.
(By Nungari – Nungari Kabutu is a student in Kenyatta university taking English and Literature, she is involved in writing and reading poetry with a group of other young writers from campus, she enjoys reading poems by Maya Angelou (her favourite being Phenomenon woman ) and Okot P, Bitek. She also enjoys photography and swimming)
FAKE REBELS
Catch the air, – from slumber rise –
Your decadent rot, brewed in wealth
Gotten else from throttling throats,
By wearing a cap, a shirt upsleave
Retort and stage word from tongue
The poor betray and slogan monger,
In decades you never were rebel
A sworn anti-rebel in comforts live
Or amass fortunes transborder
You count yourself a rebel?
But the fashion is it a new brand
Those who are real shall soon forego.
(By Sadiqullah Khan – The Brave Voices Poetry Journal Solidarity Voice from Pakistan, Dr Sadiqullah Khan is a gifted poet of immense insights and creativity. Writing on a range of subjects his themes are social, spiritual and politically aware. Looking the domains of day to day living, delving deep into the sufferings and joys he seems to be the voice of dispossessed and the vast majority of poor he passionately identifies, yet his art touches the high mark of existential writing, unique in style and composition, he appears to lead his own genre. He belongs to Wana, South Waziristan in Pakistan)
HELLO WORLD
Hello world,
I am the voiceless voice
Stuck in black and white,
Advocating for the so called freedom;
hoping to be heard.
Sick and tired of knocking,
hoping to be heard…
Little do I know,
the other side is barricaded?
My legs are weak,
Energy tank has run dry…
I have been waiting all along,
hoping to be recognized.
But tell me how
(By Jurgen Troy Namupira – Poet, Writer and Zimbabwean creative artist)
The Zimbabwe We Want Poetry Campaign
No Comments Yet!
You can be first to comment this post!