PDP photo
By
Mbizo Chirasha
Dear President (Garwe), Zimbabweans stood by you in the previous political storm in November and the deed was done. It’s your turn now to fulfil the promises and the needs of the masses.
We need results from you Mr Government. Your administration has a lot that is dirty to clean and bugs to fumigate. We greatly require a better Zimbabwe. We can’t have a country that remains held down by factional politics, violence and disrespect of the rights of ordinary citizens. We want sanity, peace and freedom to prevail in our beloved land.
We are calling out loud for free and fair elections and the arrest of all corrupt individuals despite their portfolios and links to the top echelons of power. We want less talking and more doing from ministers and the bureaucracy. Yes we are giving you a chance to prove your salt and sugar.
The Zimbabwe We Want Poetry Campaign will not stop to voice for the best of Zimbabwe, our brave voices and voices of solidarity continue to versify and voice through poetry in the quest for a fruitful and peaceful country that we all walk and talk freely without fear. We implore you to lead peacefully in the rebranding of this once beautiful but now crumbled state, Dzimbadzemabwe.
Brave Voices, Your Pen And Your Voice Will Always Reshape Zimbabwe, Aluta Continua – Mbizo Chirasha (Campaign Originator/Instigator)
DEAR DAMBUDZO MARECHERA
Your mighty pen once foretold this era
Your ‘House of Hunger’ has been here
Now we wish it gone!
Today the gun crossed the sun
Somehow it was so much fun
We all danced saturated with rays of hope
Sneering slanderous slogans is no more our dope
Down that path we now know we won’t cope
Our empty bellies bragging with belief
Our hash tags bagged every relief
That our land will wilfully churn paupers no more
May the blissful songs of the povo resound forevermore
Ding dong bells and sopranos of merry mirth
Encapsule the momentous merriment of rebirth
All we have is our firm faith
That our fingers won’t fail the worker again
But will prop up our ‘House of Stone’!
Such a journey Dambudzo – we never walked alone!
(By Cosmas Mairosi – a performance poet born and bred in rural Zimbabwe. He trained as a primary school teacher. At the moment, he is living and working in South Africa. To Cosmas, poetry is life. To him art does not mean anything unless it comments on issues that directly affect human life)
FRAGMENTS
Kill me not for my words.
I am a library of our culture.
Do not kill our elephants either.
It is our tusk to use our trunks to draw water for droughts.
Let me live and I promise futures with thousand breaths.
Kill me and all you have are protests.
Itai Dzamara was a bird of a different kind,
Whose beak beat against windows to shatter the glass.
Let us remember our warriors
My country, tea pot land whose water is yet to bring to boil.
Whose cows still owe us milk, and honeycombs our honey.
I was stung by a million bees when last I thirsted for sweetness.
Tell our bees I’m no enemy.
I have planted flowers for their cause.
The smoke from my fire need not anger them, as I hold nothing against their Gods.
(By Mbonisi Zikhali – I am a humanitarian, carer of our grandmothers and grandfathers. I am a warrior for truth, and leader of our youth. I am the new Zimbabwe, along with my brothers and sisters)
FORLORN GLORY: ZIMBABWE
Deathly silence opened its
Cavernous mouth and mourned;
With soulful shaky moans,
The earthly doors shut open
The fangs of peace,
That spewed the poison of restoration.
The silence of revolution, unhindered,
Chugged on –
The old man stirred
Upon the kingly throne
Spectacles on the bridge
Of his flaring nose
As he teetered, tottered blindly
On the edge of a canyon.
His fire flies flit past the fleet
Of dazzling nothingness
Celebrating eons of impish barking
At the helm of a country
Mired in gloom and cracked smiles.
The forlorn look of glory
Lifted the veil off the sherds
Of brokered peace;
The broken piece of the life that was
Many suns ago,
When the earth knew fertile sweat,
Limply fell to the ground
A snarly smile on its face.
(By Richard Mbuthia – a teacher, a poet, an editor and a motivational speaker. He studied English and Literature at Kenyatta University in Nairobi. He has great passion for. To him, the rhythm and verve of poetry are ingredients of a great love story. The twenty six letters of the alphabet amaze him with their ability to foster change – their volatility and aptness cannot be gainsaid)
PROPHECIES FROM REPTILES
Hails ourselves black botanists
We wine and dine with animals
We talk and listen to them
They talk and listen to us
We exchange wisdom with them
Listen comrades, reptiles say
Our kinsman has begun the chameleon game
His colours have begun changing
His thirsty tongue darting in and out
He fears armoured kingmakers
Will dethrone him if colours turn red.
Listen human brethren, reptiles say
Our kinsman has begun the snake dance
His venomous fangs are starving
He has uprooted family soldier ants
And crowned them family messengers
To sever them from village arsenals
Across the void of homing futures
We can hear galloping cloves of horses
We can hear clanging sounds of swords
We can hear wailing infants in Harare
Trapped in new battles against misery
And stagnation and oppression and torture
Trapped in endless clashes against overstays
Be warned human friends, reptiles say
From the bottom of the Zambesi
TO THE CROCODILE
Welcome crocodile, be warned crocodile
Soil not our jewel, taint not our mind’s file
Don’t suck our people, don’t drain us again
This land isn’t a pregnant woman in pain
Crush us not with your blood-thirsting fangs
We are still crippled by Uncle Bob’s pangs
Oh crocodile, hold your age-sharpened canines
Oh crocodile, carpet not our land with spines
Zambesi demands respect, return her dignity
Zambesi deserves peace, uphold her sanctity
We all fought wars, we fought for prosperity
Confiscate not our game, serve us not poverty
Bob on revolution stooled, we vomited him
If you try caging us, we’ll flush you like him
(By Nsah Mala – an award-winning writer, poet, motivational speaker, and youth leader from Cameroon. The author of three poetry collections, Chaining Freedom (2012), Bites of Insanity (2015), If You Must Fall Bush (2016), Nsah Mala’s short story ‘Christmas Disappointment’ won a prize from the Cameroonian Ministry of Arts and Culture in 2016. In the same year, another story of his received a Special Mention in a short story competition organised by Bakwa Magazine, the leading online literary journal in Cameroon at the moment. His French poem was cited in the novel En compagnie des hommes by the internationally-acclaimed, award-winning Franco-Ivorian writer and poet Véronique Tadjo in August 2017. His forth poetry collection in English, Constimocrazy, will soon be released by a US small press while he is finishing a collection in French, Les pleurs du mal. He has read poetry in Africa and Europe)
WHEN ANCESTORS RULE A NATION
Streets will surely stink of sickness
Stored in the rotten minds of many as
Development turns old and outdated
Static still where the people’s growth was last halted.
When ancestors rule a nation and refuse to go away
What we get is a catastrophe like Zimbabwe
Where a wrinkled Mule-gabe, is a mule too stubborn to flog.
He warms the presidential villa with his
enfeebled old rickety ass
And when asked why he has refused to retire
he responds with a fart.
When ancestors rule a nation,
Africa becomes it perfect replica’
Poverty and hunger; the rule of the day .
Strife, death and avarice leads everyman’s way.
When ancestors rule a nation.
Oh Lord help their ignorant lass.
They young lose the power they are meant to nurture
And get buffoon by many aged lass.
The Lloyds in their over sown suits
Renders useless our undeveloped schools.
What is education if not the emancipation of a man
To birth new ideas for his people.
When ancestors rule a nation,
And oh lord we are tired of it,
The people are left with no choice but to hit the streets
For this revolution has reached its peak.
(By Akor Emmanuel Oche – a Nigerian Poet, Critic, Essayist and Thinker. He is secretary of the Africa Haiku Network and CEO of Ochebooks)
ONE ROSE
Won my heart
Your grace
Dispels gloom
Did you bloom to fade?
Did you fade to bloom?
You flame my thoughts
You are immortal
You are a saint
For centuries
You hold our hearts
I adore you
In words
And paint
In phrases
For sheer love
And share to the world
HOPES
Hopes
Colourful hopes
Lovely dreams
So many in one heap
Chill morning
Colourful dreams
Some in store
For tomorrow
There is tomorrow
There must be tomorrow
Atleast for dreams
Expecting dreams
I spend these long hours
Till tomorrow
(By Gopichand Paruchuri – a Poet – Lecturer in English – Interest in Literature – Keen on Travelling, Head of the Department of English and Vice Principal at JKC College, Guntur,Studied MA in English at Acharya Nagarjuna University)
WHO HAD A DREAM?
So Luchi asks who had a dream,
Obvious answers pop up no need to bash your brains,
Mari talks of Martin and Kendrick too,
Might as well been rhetory coz Luchi says Obama and 2Pac as well,
Rappers got dreams for sure The Game went and sang bout the dream,
I on the other hand had many dreams,
Hell I still have plenty more,
Luchi got the nerve to ask did they come true?
A moment or two passes looking for the truth,
Truth is the system fucked everything up for me,
Forced me to change dreams as much as I changed underwear,
Whoa we are angry here Pam interjects,
Hold on Pam,
The system stole my hope and my innocence,
So innocently I stole,
I didn’t want to but how could i survive if I remained innocent,
Pam admits its true and frustrating,
Let me go on Pam,
The problem with the system is it tries to manipulate us to live another man’s dream,
You see I could have been a doctor,
My dream was to touch lives,
Dead or alive,
But the fees dropped me from high school,
Oh but like Pac’s dream ‘Still I Rise’,
I did become a doctor,
On the street corner I can doctor you any lie,
Examine you from afar,
Make a diagnosis of what you lack and prescribe to you a stolen phone,
I am a doctor indeed,
My friend was a genius and she too dreamt of being a doctor,
The system done made my friend a doctor of any man’s privates,
On the street corner at night she senses your sexual deficiency,
Her prescription is her opened legs and you get sexual healing,
Her dream of being a nurse came true,
That old man’s up and down is a dream come true she is a night nurse,
Another product of a stolen dream,
Why should i still be living the Martin Luther dream,
It was his and his dream created room for me to dream my own dream,
Yes Luchi we had dreams,
We still have dreams,
Still the system rapes us and steals some of them,
It forces us not to dream at all,
To just close our eyes and bam see nothing,
But they can kill some of our dreams not all,
We get up wipe the dirt of our elbows and dream some more!
(By Aleck T Mabenge – a thought leader, Word Versifier from Kwekwe, Zimbabwe)
ANOTHER AGONIZING ERA
The ancient diadem has fallen
but only to be picked up by another ogre.
Whilst the senile villain gropes for his spectacles; puzzled
the throne and the crown have been already seized.
With no drastic acts of aggression
the move has been dramatized,
to hide its blood thirsty claws
in the bushy furs of complicated intentions
and so to shun foreign concern and intervention.
The audience are as equally jovial as the spectators.
It’s merry time.
The news have confirmed the theme,
upon all media platforms.
It’s no secret at all!
The three decade hegemony
has been at last scared
to succumb
to bare drills of disobedience.
It’s transition by mischief.
We’ve been drifted into another agonizing era
if not era.
(By Blessing T Masenga – a bold word guerrilla, a fiery poet through his writings tirelessly and boldly seek to strip nude the oppression and the violations of basic human rights)
BLACK DIAMONDS
We are black diamonds
Of the tribe of Judah
Marching in unison
Towards the gates of Zion,
Your hatred and your venom
Can bind us never!
Your oracles of slavery
Will never be our history
Great deities of negritude
Bring us together,
We march on out of Babylon
With the shackles broken.
(By Theodora Chirapa)
WHERE ARE THE CARPENTERS?
Nuclear weapons
Are not the stuff
That sweet kisses are made from;
Nor is war
The electric blanket
That keeps the world warm
From the frigid cold.
Rather, we need carpenters of solutions
At the negotiation table.
So where are the carpenters?
(By Richmore Tera – a poet, short story writer, playwright, actor and freelance journalist who once worked for Zimpapers (writing for The Herald, Sunday Mail, Kwayedza, Manica Post, H-Metro) as a reporter but currently focusing on his creative work. Currently, he is the Associate Editor of Chitungiwza Central Hospital’s weekly online newsletter. His works have been read in Zimbabwe, Africa and the Dispora in various publications which he contributes to. He is the author of the monograph, “Here Leaves Silently Fall, a collection of poems, which was published by Arts Initiates in Namibia in 2009)
NHAU YEUROMBO (Story of Poverty)
Iyi ihondo inokunda hondo yepfuti
Tisapira ziso risingaone kunhau iyi
Haisi yokutombotsvairira seri kwesasa chimhukutira
Mangwana tingazochema nyika yaita mamvemve
Upenyu nemweya weupenyu waparadzwa munyika
Vacheche vasina chezivo nevachangoyaruka
Masaimba nevakwegura vasisina simba
Vose vatakura mutoro unenge gomo risina ukwiriko
Kodzero dzavo nhasi hapachina
Vanasikana voroodzwa kuti mhuri irarame sakare
Madzimai oita zvisingafungidzirwi kuti vararame
Vasimudza nguo kumaAvenues
Chembere nemvana musiyano tsvata!
Upenyu hwevechidiki, ramangwana renyika
Hwava ura hwakaturikwa pachitsiga
Kuturikwapo kumirira makunguo
Havana zororo kana pokuisa musoro
Zvazvinodaro, vamwe vanezvakapfurikidza zvavanoshandisa
Zvinorwadza moyo semudzimu wabuda pambeveve
Ngatiitei maonera pamwe, chuma chomuzukuru
Nhau iyi iregoremera divi rimwe setsvimbo
Tochiita mushandirapamwe wamajuru akaumba churu
Ukororo nokurwisana zvisati zvava muvanhurume
Shuviro yezvinangwa zvebudiriro
Chivavarirwa chokupedza urombo
Chiregova gudziramukanwa chiroto cheharahwa
Muupforododo hwehope, kurota ichiyamwa.
(By Simbarashe Jongwe – a poet, born 32years ago in Bikita. I grew up in Gutu under the guidance of my grandmother, Mbuya VaZimuto, who was a very good storyteller. I went to Metero CPS and Guzha secondary school. My poetry journey begins on 17&18 September 2004 during a BWAZ facilitated Workshop. I fight for women and children’s rights. To me, poetry is the mother of freedom. I am also an avid reader)
EPISTLE TO THE LATE ONE
Dear Bingu.
What you changed in this nation
From pointless to point
From fruitless to fruit
All are slowly going into vain
Now we are feeling pain
This nation is on fire
We are dying like chicken on Christmas day.
Corruption, oppression
Gluttonousness, deflection
All have taking a lion’s share in this nation.
Transactional sex, money,
Drugs and alcohol
All are ruling the life of our future leaders.
No courage, no hopes, no love, only hatred
Education is losing value
Our girls are losing value
Boys are becoming hooligans
Politicians turned into stealers.
Others turned into gossipers
Pastors are turning into criminals
Churches are changing into fashion houses
Media has turned into propaganda system
Parliament is now a nursery school.
Oh Bingu, send us your spirit
May be it will demolish all these problemata
And chase all these pains from us.
(By Emmanuel Douglas Mulomole – Poet and our Solidarity Voice from Zambia)
ROBERT MUGABE
I let my pants down on Robert Mugabe street
fed up of the politics; I needed to shit.
On that wall adjacent was that poster of you-know-who,
I tore it down had his face lick my ass
and his HAND wipe that shit off my butt cheeks
“taste that shit dick-tator, that’s what your people are having for breakfast, lunch and dinner”. I screamed.
satisfied with myself,
I went on to read about how the other HAND fingered disGRACE
apparently that one is too old to finger-fuc..
wait…
explain to me why the thought of a state sponsored funeral just crossed my mind
(By Sinkende Mashayangombane – Son of Ntu, a part of a poetry collective called SoNtu (sons of Ntu) advocating for the knowledge of God and self. his poetry comes from the heart, from day to day experience, from a 360° observation of the society he lives in and the rest is prophecy from the universe screaming loud in the eardrums of his soul. he is a sensitive soul that feels everything, see everything through bi-polarised and writes it all down, in verses and chapters)
VERSES
The world looks strange from here
I stood on a babelian tower, to peer into the grey face of a distant future;
desperately hoping to see glories of the promised land
I train ears to savour the seasonal songs of love & promise
But, what arrests my eyes is glaring sight of blood, torn flesh & broken bones
What arrests my ears, are cries of agony, chorused
by wailing canons, detonating teargas canisters, fire-breathing guns & wielding batons
whilst smashing brains & scattering dreams
in the wake of a long-awaited new dawn.
.
I’ve been spat, like a worm, from a gecko’s mouth
I miss the warmth of mai’s womb
and the sweetness I sucked from her breast
But, age is adamant! I’ve been
cast–like a cheerful ray of light–far away from home
and those I shared the breast with, won’t allow me back
I run in rain of dreams, for the door of your heart
Welcome me, with real appetite, into you
and ignore angels of darkness; you befit me
like a cloth and its wearer!
(By Wafula P’Khisa – a poet, writer and teacher from Kenya. He has been published in The Legendary, Aubade Magazine, Basil O’ Flaherty Journal, Scarlet Leaf Review, Lunaris Review, Best ‘New’ African Poets 2015, Best ‘New’ African Poets 2016 and elsewhere in the world. His poetry is revolutionary, combative and (sometimes military)
MECHANICAL MINDS
He sat there in that dark
shady corner.
Crafty hands waving glee
with mis-Chief.
Media fingers spread over acres.
Those puffed up finger nails
injecting that corridor, corrosive
syllabus.
Into their tender back side flesh
they cried in harmony.
Their brains rotting in
solitary confinement.
A mechanized solidarity march.
(By Nyashadzashe Chikumbu – I’m a young man, who is very ambitious and strives for complete self expression. Very interested in all words of art strives to see art gaining its former glory. If there is need to add more flesh (a very adapt follower of the Marxist principles) Very experimental)
VOICE
So I sailed on the sand
To a land in the skies and above the heavens.
Beneath the gates of Hades I found light,
Encountered the serpent himself
Who had cast a rift between heaven and Earth
He who fought the Creator
And all these heavenly beings.
He who rebelled and became a threat to the Most High
Failed his course,
And roams about in search of souls
Blinked to my eyes and it echoed
The secrets of Heaven and Earth openly into my ears in a loud whisper
Saying have no fears son of man
For all the power you beseech is inside of you
Just reach out for the stars
For they are buried in your eyes
And if for a second you feel down
Don’t you worry, don’t you worry child
Heaven has a plan for you
In the pitch dark silence, I beamed
With the brightest smile that darkened the sun
Opened my eyes and realised
I was trapped the midst of
my worst nightmares
Tears are the only words
That explains my joy
So I smile the tears back into their sockets
Because I know who I am
I am the world the world has been waiting for
I am the word words could not describe
I am a miracle that awaits the greatest Oracles
I am S Kojo Frimpong son of Joseph Yaw Frimpong
We are the sons of God
Who are you to stand against us
As we set forth to write our destinies
We write ours, so can you
It all depends on the paintings of words
That rains from your mouth to germinate great oaks
Heaven and Earth
(By S Kojo Frimpong – A writer from West Africa Tema, Ghana to be precise. A lover of poetry and a reading addict)
UNFOLDING ERA
My sweat
My bread
My brows
No ploughed frowns
Your laws
No flaws
Amazing grace how sweet the sound
We all should sing along
Past experience is a very sad one
The present should be vital
My strength
My worthy
My vote
My piece of earth
Dazed youths
Demoralized
NAME THE SOURCE
Whose politics do we acknowledge?
With blunders crooked
Erred to be mend
Bruises and wounds being nursed
And the sucklings narrating sad stories
Of blood, pain and terror
Which name do we bear?
When we fuss and fight
Past the neutral resolution of recursion
Muted with doubts and accusation
Faces wearing uniforms of brutality
Commissioned to silence hungry bellies
The economy ought to be resurrected
Formalized
And revitalized
Whose bread are we going to eat
If scarce is wheat
And the land lavished to corrupt gluttons
Who neglect national food security
Only tantalizing the languished community
A hungry man is an angry man.
ART IS SELF EXPRESSION
As I am now
A free voice
Speaking
Expressing
Narrating
Jotting events of necessity
With no strings attached
Let not dogs haunt me like ghosts in the night
Let not my voice be suppressed
Downpressed and silenced
Let not my patriotic credentials be questioned
When I reveal the demons that are partaking with the clergy
And when you feel like my poetry is a two edged sword
Piercing your soul
Let not your hand smite my starved back
When you will feel like you are challenged your liberal conscience
Because my poems are not there to seek recognition
But to refuse to be labelled in harmony with hypocrisy
Let not my labour be taken for granted
When I detest slavish conditions
As I am here now
A poet
Writing
Rhyming
Revealing
So let not your hearts be troubled
When I report news that is accurate
Only in your disadvantage
And chant songs rebuking your savage
For my quest is only to transform
And enjoy a media free society in verse form
Unchain the harnessed media
SAME OLD CHAINS PAID GOLD
The chains that have been chaining us
Are but the same old chains painted in gold
But the pain is still unfold
And more neo-sad-stories untold
If the cabinet don’t monopolize on its own
It turns to westernize and starve its people
It’s sad to know that we jumped from a frying pan
Eventually fall in the fire again
How can we rebuild a promising structure
With rubbles which are supposed to be cleared off the infrastructure
Zimbabwe what are we going to be?
Destitutes and beggars?
Is this the revolution?
Or its part of the revelation?
We need to draft a better constitution
Come the next election.
(By Sydney Haile 1 Saize – a Word guerrilla, a fighter of human rights, a Word slinger in the Campaign against despotism)
HOPE DZANDAKAROTA
Ndakati ndivete parukukwe rwangu
Ndakaneta zvangu nemafindifuva ebasa
Ini rotei zvinhu zvakandikatyamadza,
Ndakarota mbavha mbiri dziri pamharadzano dzenzira
Chiri chibatabishi kurwira chikwama chavabvutira imwe mhuri
Mumwe wacho akaita mudiki zvishoma anga achikanda makobvu nematete
Kupomera mukuru wacho kuti atora pfuma kubva muchikwama umu makore awanda
Isu kunzwa izvozvo takaviruka nehasha ndokukomba uya mukuru
Tikati midzimu yako yadambura mbereko
Haungadyi pfuma yakawanda kudaro uri wega
Mukuru uya aona zvamumomotera ndiye regedzei chikwama chiya ndokutendeuka otarira nzira yekumatongo ake,
Isu sarei takakomba chikwama chiya pamwepo nevamwe varume vakanga vakapakata mapfumo
Pakazoita akadanidzira kuti chikwama chiya chipiwe mbavha iya yakanga yasara
Pakazorongwa rimwe zuva
Apo vanhu vese vedunhu vakakorombwedzana
Chikwama chiya ndobva chatambidziwa iya mbavha yakaita yechidiki zvishoma
Mhururu nemheterwa zvinodzivira nzeve zvikaparurwa
Ngoma ikaridzwa tikadzana,rukuruva ndiye togo-o!
Tikadzokera kumba tiine mufaro unomhanyisa ropa
Nokuti takanga tazviita!
(By Brighton Busybee Muponda – is a Zimbabwean author born on the first of November 1986.He stays in the city of Masvingo, Zimbabwe. He co-authored a poetry anthology called Dzinonyandura which was written in Shona, a native language spoken by the majority of people in Zimbabwe)
THINK
The miasma of propaganda
Pierced with difficulty
this side of the line
Sand whipped up
stinging the eyed
upon poking
its demise
(By Rich Unger – Oy! how best to describe wry smiles of the world, from Love, to Pained, to Wonderment, with words tongue tipped as peeks into the Archetype stuttered thru perception’s filter of a mere human Visual Psychophysicist tempo’d with grace? Playing with Words for Understanding)
MR STONE
I see you are mute,
Dumb to my pleas,
Bleeding knees….
Blisters at your citadel.
I see you are mute,
Your countenance astute,
My pangs of hunger alien,
My anguish a sing song.
I see you are blind,
You eyes camouflaged,
Blinkers that hides humanism,
My liberty emasculated.
I see you are nonchalant,
My siblings you eat,
My sweat you siphon….
My labour you enrich with.
Mr stone,listen….
A day has dawned,
Every song dissipates…..
My anger simmers,
A boiling pot that tilts,
And your deafness….
A wail of a slaughtered ram,
A new day of liberty.
Kama
(By Patrick Kamau)
THE REPUBLIC OF MOTHERHOOD
I crossed the border into the Republic of Motherhood
and found it queendom, a wild queendom.
I handed over my clothes and took its uniform,
its dressing gown and undergarments, a cardigan
soft as a creature, smelling of birth and milk,
and I lay down in Motherhood’s bed, the bed I had made
but could not sleep in, for I was called at once to work
in the factory of Motherhood. The owl shift,
the graveyard shift. Feedingcleaninglovingfeeding.
I walked home, heartsore, through pale streets,
the coins of Motherhood singing in my pockets.
Then I soaked my spindled bones
in the chill municipal baths of Motherhood,
watching strands of my hair float from my fingers.
Each day I pushed my pram through freeze and blossom
down the wide boulevards of Motherhood
where poplars bent their branches to stroke my brow.
I stood with my sisters in the queues of Motherhood –
the weighing clinic, the supermarket – waiting
for Motherhood’s bureaucracies to open their doors.
As required, I stood beneath the flag of Motherhood
and opened my mouth although I did not know the anthem.
When darkness fell I pushed my pram home again,
and by lamplight wrote urgent letters of complaint
to the Department of Motherhood but received no response.
I grew sick and was healed in the hospitals of Motherhood
with their long-closed isolation wards
and narrow beds watched over by a fat moon.
The doctors were slender and efficient
and when I was well they gave me my pram again
so I could stare at the daffodils in the parks of Motherhood
while winds pierced my breasts like silver arrows.
In snowfall, I haunted Motherhood’s cemeteries,
the sweet fallen beneath my feet –
Our Lady of the Birth Trauma, Our Lady of Psychosis.
I wanted to speak to them, tell them I understood,
but the words came out scrambled, so I knelt instead
and prayed in the chapel of Motherhood, prayed
for that whole wild fucking queendom,
its sorrow, its unbearable skinless beauty,
and all the souls that were in it. I prayed and prayed
until my voice was a nightcry
and sunlight pixelated my face like a kaleidoscope.
(By Liz Berry – Guest Poet with her guest poem on the 16 DAYS OF GENDER ACTIVISM, introduced to us by one great poet and mentor- Phillippa Yaa De Villiers)
THE RACE
They dashed off the blocks
hitched and got hitched
Some continued the quest
earned titles and accolades
Some donned the uniform
took to marches and parades
Some took to the collar
turned into great padres
Some took to public podiums
always on the limelight
Some took to the stage
and graced the big screen
Some took the pen
weaving songs and dreams
Some appeared and disappeared
just like shooting stars
Ahead there were countless souls
Behind many out o’ breath-
Everywhere on this road victims
succumbed to mystical existence
(By Michael Mwangi Macharia – a poet based in the Rift Valley region, Kenya. He contributes literary and education articles to the Kenyan dailies. He is also involved in directing, adjudication of music and drama. He has developing interest in History, fine art and photography)
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