Reuters photo
By
Mbizo Chirasha
The Zimbabwe We Want Poetry Campaign is a late Christmas gift to daughters, sisters, mothers, grandmothers and women at large. It is a composition of brave and solidarity voices dedicating time and verses to women and their voices.
Women in politics, social and religious spaces need to be respected for the betterment of our African nations, in particular Zimbabwe. Women also need to be given positions of influence in all spheres of society, they can’t remain lagging behind like in ancient history. Women are great providers of peace and harmony.
Women should also have access to their social and economic necessities including sanitary pads, education and employment. Young girls in schools are abused because of poverty and women in politics are discriminated upon because they are deemed weak by the other gender. The new Zimbabwean Cabinet and the new ANC Party Executive (South Africa) are a testimony for us all to see.
The Brave and Solidarity Voices continue to speak for the weak, the poor, the deprived, the segregated and the abused through poetry. Thank you to the Brave Poets from Pakistan, Nigeria, Kenya, and South Africa and of course the Brave Voices from Zimbabwe. Thumbs up to followers of our journal and our social posts on Facebook. Brave Voice Your Pen will always reshape Zimbabwe, Africa and the world at large. ALUTA CONTINUA! – MBIZO CHIRASHA.
THE AFRICAN SAVANNA
The African Savanna
I was not crafted from your soil.
My feet cracked not from walking miles in your shoes.
This is what you say –
yet my heart laboured as it poured its blood for your ebbing life.
My eyes dried like autumn leaves
as it dreamed your dreams
stared into your vacant spaces
and watched the darkening of your sun. Bony fingers drained of sleep;
my convictions seeping into
yellowed scrolls;
squeezed through prohibited potholes
I’m not like you –
our southwestern, eastern northern borders crisscross,
but our skin and kin are not same
that’s what you say,
though the matching molecule
of life flows through our veins,
our fears and fight intricately woven
in our mother’s womb.
The soil we tread is hers;
borders cannot chain
my purple passions.
I have eaten from
your wastelands and tasted
the bitter wines of servitude
that now burn inside my belly,
Is the red you breathe not mine –
Are we not the African
who cheer our liberation
from the cup
of a bloody savanna
that feed our herd and cattle –
We are the same
say I,
We are African
(By Beulah Kleinveldt/Jambiya – Jambiya is an emotive writer and storyteller who weaves the tragedy and victory of the human experience into a tapestry of memorable imagery and metaphor. She speaks with honesty on the socio-spiritual challenges of our time. Jambiya’s works are trail to a feast for those accustomed to the jaded perfunctory cleverness of modern wordsmith)
LAME SERVICES, RAPID SUICIDE!
The government demand for applause
for buying women past their menopause
some sanitary pads
whilst girls in their adolescence
move about with the back of their skirts
damp and scarlet!
Like red ink pads for date-stamps.
The repressive oligarchy is aggrieved to deliver soundly.
The confused hands of the cabinet have marred
its official suit
and have long decided its shameful lot.
Watch its rapid suicide!
The rope awaits in the elections.
(By Blessing T Masenga – a bold word guerrilla, a fiery poet through his writings tirelessly and boldly seek to strip nude the oppression and the violations of basic human rights)
THE LINES TO THE CABINET
Give me the ballot box
And fairness will prevail without hoax
For I don’t booze
Or snooze
Give me the ballot box
If you really care about votes, folks
For I don’t smoke
Nor take no coke
For my observations is legitimate
And legible
Give me the chance let me run the campaign
All the provinces and districts
For my slogan is peace love and harmony
For I cannot fool the people
But provide and fulfil their expectations
Give me the office I will eliminate corruption
And the main objective is to eradicate starvation
Give me a pen
For I’m sane.
(By Sydney Saize – A freedom fighter spearheaded piercing the heart of misrule maladmistration, corruption and injustice. Socio-political commentator only narrates the political ills and suffers the consequences)
SOUNDBITES
Bamboozle Matshelela:
I’m against coups
and those against coups.
There will always be a man
To my left, and to my right
Listening to things I have not said.
God’s random calligraphy misnomer Time
Is the graffiti of a rabid dog vanquishing madness
In a paint shop.
Joan Apple:
The labourer sunsets loves,
No more shall the sun plunder
The salt our tears for his lover.
Swift retribution works in a moment
though coming a thousand sunsets.
Sweet symphony of cooing doves!
Nananet Buhayo & Ryan Siyaya:
(Joint statement)
Isn’t they destroyed our Paradise
Because their roofs were blue
And hours hit like pa! on the eyes
Because we put them gu-gu-gu
Of irons picked everywhere?
Now they no what it fills like
To run away with no underwear.
SLEEPING WITH THE ENEMY
-from #Philtrum
Of course I understand you,
your kiss-shaped utterance
is the venomous snarl of police:
They hiss like you entice
with rough words like ‘Nharo’.
Don’t be hung up on how I do it,
just let’s converse and drink.
Tomorrow I might be different,
Diffident, indifferent or just not defer.
You’ll have to speak in English
or I’ll answer in my tongue.
You’ll genuinely not here me,
With no conviction to be convincing
I’ll pretend to share a position.
Tomorrow I might remember
The scars on my mother’s heart
Blacker in the soot of immolation,
Her tithe to the god Survival
For escaping a genocide so intent
(by men speaking your tongue)
To kill me, her only son, before I was born.
Your country and prosperity are propped
On the bleached fibulae of my kin.
Ancestor I can forgive,
But relatives…too close
To perception, to time, to paranoia;
Have we truly found unity and accord
Or is the cock fattening the bull?
But let’s converse and drink,
Nyemwerera utsukise zuva,
Chinoburuka chinomhara zvakataurwa.
Zvanasi, tirinjiva, shiri dzisina mitupo.
Ndatomhara, ndawana wupfumi kwawuri.
Hapana chinokosha kufura zvatiri nhasi,
Kana Mwari, kana denga
AXE MASS
Let us be festive in this merry season,
And remember the adultery of a god
Who raped a woman for the reason
Of murdering the son that spawned.
Nailed to a tree for the sins of mankind,
The bastard of the sky raised by a man
Who only carved wood so he could mind
For his wife and kids, twelve of them.
Let us be thankful for our salvation;
For we fell when our first ancestors
Gave in to the god’s cruel temptation,
And made Seth fuck his own sisters.
O child, give thanks to this god Santa,
He buys the gifts, not your mother!
(By Philani Amadeus Nyoni – Zimbabwean born wordsmith. He has written award-winning poetry for the page, the stage and the screen. He has also written articles and short stories for various publications, local and international)
THE RACE
They dashed off the blocks
hitched and got hitched
Some continued the quest
earned titles and accolades
Some donned the uniform
took to marches and parades
Some took to the collar
turned into great padres
Some took to public podiums
always on the limelight
Some took to the stage
and graced the big screen
Some took the pen
weaving songs and dreams
Some appeared and disappeared
just like shooting stars
Ahead there were countless souls
behind many out o’ breath-
Everywhere on this road victims
succumbed to mystical existence.
AN ODE FOR A POETESS
You dwelt in solitude
Yearning for a universe
That sought love and beauty
In the solitary places
Inhabited by monks and sages.
We listened and marvelled
At your lofty song
The seeds that you sowed
Before your hasty departure.
You built lofty imagery
A mountain of words,
Committed to the quest
For fairness and peace.
Do you smile
in eternal unbroken slumber ,
At the rich harvest of words
Celebration by the youth
You infected with laughter?
UNSPOKEN HISTORY
Our past echoes with glories
That were silenced by History
Inscribed by inky feather
On tablets of foreign scholars
Who fled with our knowledge
Our confidence in the ways
That defined us.
We forgot ourselves
As we strayed from paths
Paved by our ancestors
Since the primordial times…
Now,
We profess the alien tongues
Better than erstwhile masters
Even as we look their way
For solution to self-made woes
Rich Market for their garbs and guns
Armed with beggarly bowls
Wealth trapped under our feet…
(By Michael Mwangi Macharia – a poet based in the Rift Valley region, Kenya. He contributes literary and education articles to the Kenyan dailies. He is also involved in directing, adjudication of music and drama. He has developing interest in History, fine art and photography)
VIVA Zimbabwe
Calamities to have rose and poised
The brothers and sisters, comrades
Since the idea behind only spoke of
Immunity and never our sovereignty
To render nor our liberties to grand.
Viva Mwana wevhu, Viva Zimbabwe
For the phase reached today spells
Confidence in mutual peace and unit
Never will the masses be Dis-Graced
Better prospects we all look forward to
(By Tynoe Wilson – I am Wilson aka lowlife diarist with the zeal to embroid the societal restriction logo that herald our misery as poets, writers and the society)
THE VOICE of Julius Muriithi
Today I’m told of independence
I know how the head of state minces no words
In celebration of 54 years of independence
I am reminded of Mau Mau
And bushy wars
Where men ached to live freely!
But I wonder whether I kiss the Whiteman’s ass longer
The taste of his small cock dangling all over the world
I am left singing national anthem in a foreign tongue
Questioning whether independence spells bullets or the silence that comes with it!
Our diamonds have turned us into weaves
Bombs taking control
Corruption tasting sweet!
The fruits of Mau Mau!
Maybe we should write of an elegy for the revolution!
(By Julius Muriithi – Muriithi Kariuki is Black anti-religion humanist who lives and writes from Lamu, Kenya. He is student of International relations and diplomacy)
THE SICKENING OF LUKE WARME
Luke’s tragedy, its plain enough to see,
since haven’t you and haven’t I been there? –
was his fondness for Christianity,
which taught him how to hope, how to despair.
‘The hope of everlasting life, denied
me hope of selflessness on earth,’ he cried.
‘I might as well have been a Hamlet clowning,
or Jesus with his paradoxes
(boxes inside boxes inside boxes);
I who witnessed Ophelia drowning.
‘And you can write down this,’ poor Luke then said,
‘write down that what I witnessed was a birth
and not a … I don’t deny that she was dead
when they packed her, putrid, in the earth,
sprinkled with pansies, violets, and rue;
too many courtiers, mourners too few …
my birth, you understand; rebirth, I mean.’
Heraclitus and his paradoxes
(boxes inside boxes inside boxes).
Everlasting life’s not worth a bean
Unless it’s Jack’s, ‘cos then there’s still a risk.
Don’t look at me, I merely write it down,
serpent reader, eyes like a basilisk.
It’s Claudius, not I, who wears the crown.
All that is, I write, neither hot nor cold,
my Dear John, neither timorous nor bold.
As I was saying, I wanted to be
devoted to my fellow human being,
unreflecting, engrossed, not foreseeing;
so I renounced my immortality.
The rest is silence, but for one thing more:
Luke’s comedy, like yours old friend, and mine,
and whoever makes the beds at Elsinore,
is diabolical and divine.
There’ll still be hope, and still there’ll be despair,
whoever runs her fingers through your hair.
But when the spirit vomits Luke Warme out,
Old Possum and his paradoxes
(boxes inside boxes inside boxes),
he’ll get to his feet, shake himself, and shout:
‘No hope have I of everlasting life –
most selfish, mean, ungenerous hope of all.
I give my purse to my enemy’s wife –
put that in your pipe and smoke it, Paul!
I risk my life for a stranger drowning;
risk my morals for a villain clowning.
I am philanthropic, altruistic…
when I’m humbled I’m humbled, exalted,
exalted…’ at which point poor Luke faltered,
fell forward… falling… the fall… and was sick…
CHRISTMAS IN BULAWAYO
A hallelujah of Heuglin’s robins
wakes me from a troubled sleep, troubled not
by regrets or misgivings but by hymns,
hymns of mosquitoes, high-pitched, pin-thin; prick
of crickets, strident cicadas, squirrels
bickering; and the blessing of soft rain
on a tin roof. Smell the frangipanis –
their blossoms, the milk of their bark, rotting
leaves, rotting into humus, life-giving
soil – earthworms, chongololos, flying ants;
and smell that neighbourly ham: pineapple,
cloves, basted with beer and honey: baking.
Expectant pets get meaty bones, rubber
toys, kapenta soaked in leftover soup.
Here comes the postman for his Christmas box,
here the garbage men, ZESA, WATER; queues
and queues of the homeless, the unemployed,
the downtrodden, the hungry and thirsty,
the poor in spirit, the mourners, the meek,
the merciful, the peacemakers, the pure
in heart, the righteous; for theirs is the love
of a Jewish man who was sacrificed
so we may celebrate his birth, and so
we may learn that death makes life beautiful.
(By John Eppel – John lives in Bulawayo and has 18 publications of poetry and prose to his name, including collaborations with Julius Chingono, Philani Nyoni, and Togara Muzanenhamo)
THE VOICES
My old gun
Bring me son, my old gun,
Rusted, my peace is over –
That I am done
In the way
That my rushing blood
A destiny find, my helpless
Hands, at last, a purpose live,
A cry to battle, to an honor die.
A KNACK
No one taught the wind, nor to the leaves
The pine sings its chords, not even Pythagoras,
Tan Sen derived lessons from listening, tuning
To the seven notes, or chords of combination.
Aristotle taught walking; Socrates in dialogue
Plato’s ideal is a spoken word, above the written.
Since we imitate nature, just a bit of it, and we learn.
A camera for an eye, a static image for the changing
Reality. We make statues, we are stuck with. We make
Outlines, divide; a poor human copy –third, fourth or fifth.
Conversations sometimes settle into wonderful poems,
In trance new words are born, twist this way or that,
Therefore, ‘trance-figured’, and therefore, ‘except’ and
‘That I am left with no choice, but to love you
Because I owe this to you for your beauty…’
The moment you touch me, I bleed, and bleed;
The moment your finger strikes the right string,
I like the echo in the sound board, sing and sing.
What a rascal art thou love! The whole earth
Is the floor. We are all dancing to our customized inner tunes.
(By Sadiqullah Khan – Dr Sadiqullah Khan is a gifted poet of immense insights and creativity. Writing on a range of subjects his themes are social, spiritual and politically aware. Looking the domains of day to day living, delving deep into the sufferings and joys he seems to be the voice of dispossessed and the vast majority of poor he passionately identifies, yet his art touches the high mark of existential writing, unique in style and composition, he appears to lead his own genre. He belongs to Wana, South Waziristan in Pakistan)
UNWEARING THE OLD SELF
The old self has faded,
clings to her soul in an
unflattering manner,
with revealing holes, all
in tattered fashion
weighing heavy on lean
shoulders and dragging
her down with its ancient
layer,
She said…
I’ll unwear it, unbuckle
its burdensome load off
my back
and
sew myself new,
the way women are
taught
to stitch themselves up
while carrying raging storms
within…
WHILE WAITING
she paints a portrait
with a faraway look
as a guiding eye
searching memory while
listening to the loud
silence speaking volumes
and
she hangs it carefully on
the walls of her mind
with the vision of poetry…
of poetry of struggles and
its fathomless miseries
and long-suffering of her
people
the dawn of this truth finds
her unexpectedly, thrusting
daggers in her heart
then, she stains the canvas
of tomorrow with the paint
of undying hope,
not even man-made history
can ever erase.
(By Catherine Magodo-Mutukwa – a poet and fiction writer who believes every woman is a story to be told and heard. She takes time to weave words of experience from untold stories of women who have loved and laughed, cared but cried, their feelings or unfeelings in light of what life has bestowed upon their different paths. Her works have also been published in various online journals and anthologies)
SHE JUST WANTS TO BE ALONE
She just wants to be alone,
lonely with her own thoughts…
embraced by nature,
wishing she could hug the wind;
whisper into her ears
‘take me with you please’
truth be told,
she’s sick and tired of being sick and tired,
she smiles
she laughs
she shouts
yet she sheds dry tears.
We see them not,
for they are hid behind the mountain of courage,
covered under the cloud of hope.
Here we are today,
praising the visible beauty,
when she’s busy fixing the inner beauty we broke…
the heart has bled,
and emotions have sped into her mind
knocked her down to her knees
but she’s still fighting.
I hope we won’t charge her for locking the world outside,
she needs to heal and pick us one by one
selecting only the worthy vine to produce tasty wine,
one day’s one day
it shall be well for the free spirit,
and she shall sing of the good new days
emanating out of the brutal past.
(By Jurgen Troy Namupira – Poet, Writer and Zimbabwean creative artist)
A DAY BEYOND TODAY
Season with the aroma of the clouds
combing the cloud’s field with wakeful hands
when hope beats the drum of time
in season like this
we wait for the path that leads to a day beyond today
in a moment like this
we wait counting the hands of time
with a measuring eyes we look for more
to quench the taste of wants
we have come a long way as a wayfarer
Traveller at a cross roads
where decision are made to birth a new journey
we are on a journey to arrive at the same destination
it is the places we visit that makes the journey long
it is time comrades to visit the earth and plant words
and wait patiently for the hands of harvest.
In a season like this
we live on the good will of the season
(By Oladipo Kehinde Paul – Great Nigerian Writer and fast rising poet)
CROCODILE MAGICIAN
Crocodile magician
joy trick?
Pitch hope
chorus spiral love
even bring it on Sunday
raising a smile musk
for your crocodile ego spilling
float forwarding bible verses
along to a converted band
like an ash from the past
you are trying to remember what it looked like
and give home
deserted joy?
(By Pasi Gunguwo – International Poet, Actor and Artist from Zimbabwe)
KUTSVAGA (Shona for HUNTING, a satire)
Ndakamutsvaka muvanhu,
Muzviso zvavo,
Mafambiro avo,
Kwavaibva nekwavaienda
Asi handina kumuwana.
Ndakatevera vanhu,
Dzimwe mhandara munzira
Dzichiputsa chirongo,
Majaya miseve kutaira kumakunguwo,
Harahwa kusasikwa pamutariro.
Ndaive mugotsi mavo,
Nzeve kwanga kuteerera zvavaitaura,
Yaingove njopisi njipisi chete,
Kuzama kuvabata,
Chiripo chakandibata.
Hevo apamateru, vosvika pamharadzano,
Vombundikirana, ndiye zizadzadama ipapo pamhene,
Vachitsika zvose zvakarasirirwa,
Ranehanda ndonzwa roridza tsamwa.
Hevo sesedzanei vakananga kurwizi,
Munzira dzavo vachisunga chishwe,
Harahwa kumashure inopingwa nechishwe,
Tsaiya yowa nekupwanyika pakarepo,
Kana kuihorera, kuinama, zvichabatsirei,
Ani wacho?
Ndakaramba ndichivatevera,
Kurwizi, dzavo hanzu katanu,
Tangei rima rizere nemarize nemafeso,
Pedzezvo votuhwina zvavo
Vana vevanhu.
(Chikwee sechichabvarura denga
Kutsemura matombo,
Kudonhedza madzvinyu akazambira mushana).
Mumativi avo, zvaiva zvimwechetezvo,
Vamwe vachichera mvura yasakadzwa nendove yevanhu
Pamwepo nekubvondorwa,
Vamwe vachikukuzva nekuraura hove;
Ndakamutsvaka muzviso zvavo
Asi handina kumuwana.
Ndakati rega ndimbozorora,
Ndokugara pasi ndakazembera chigutswa
Chemuti wainge wabva muguborwa,
Ndati ringei, ndokuona varume vaichera jecha nemapiki nemafoshoro,
Vachirikanda murori yaipwitititsa chiutsi chinokachidza,
Ndakakabva ndakosora, ndokusimuka,
Ndoonderera mberi nekumutsvaka.
Asi handina kumuwana.
Ndakaenda kuchiteshi chemabhazi,
Ndokuona mhomho yevanhu vaikwidza nekudzika,
Vaikwira nekuburuka,
Vaitenga nekutengesa,
Kuba nekubirwa,
Kudhakwa nekudhakisa.
Ndakati regai ndibvunze vezvingoro,
Kuda vaigona kunge vakamuona,
Asi vakandiseka.
(Chikwee sechichabvarura denga,
Kutsemura matombo,
Kudonhedza madzvinyu akazambira mushana).
Ndakaenda pane muparidzi aive munzira,
“Tsvakai Jesu achawanika.
Ipai nemoyo yenyu yose,
Ndiko kuti muzopinda muhumambo hwedenga.”
Ndiro yakatenderera,
Maoko akapinda muhomwe, muzvikwama,
Kuraura mari,
Ndiro ikadzokera kumuridzi yoshinyira.
Ndakatarisa muvanhu, asi handina kumuwana.
Ko aivepi, akahwandepi?
Ndakati regai ndimbonogora ndichitonhodza pahuro,
Ndokupinda maive muzere nechiutsi chinokachidza,
Rima, asi muine zvitaitai zvemwenje,
Maguro-kuro achingotamba-tamba
Sevaridzi avo vaiungiri mubishi kutamba
Kumimhanzi yainge itsatsemura nzeve,
Kupeperetsa matenga emidhuri mirefu-refu neruzha rwikuru.
Vainge vakakochekerana,
Varume nevakadzi, varume nevarume,
Vakadzi nevakadzi, majaya nemhandara,
Ndumure nevabvezera.
Chiripo-ripo ndakabva ndabuda ndisati ndambogara pasi.
Ndakati regai ndiende kupwere,
Kazhinji pwere dzinoona zvatisingaone,
Pwere dzinocherechedza, dzoona zviso,
Dzochengeta mupfungwa, diti nemeso,
Asi pwere dzakandiseka,
(Chikwee sechichabvarura denga,
Kutsemura matombo,
Kudonhedza madzvinyu akazambira mushana).
(icharamba ichiendera mberi)
(By Richmore Tera – Poet, short story writer, playwright, actor and freelance journalist who once worked for Zimpapers (writing for The Herald, Sunday Mail, Kwayedza, Manica Post, H-Metro) as a reporter but currently focusing on his creative work. Currently, he is the Associate Editor of Chitungiwza Central Hospital’s weekly online newsletter. His works have been read in Zimbabwe, Africa and the Dispora in various publications which he contributes to. He is the author of the monograph, “Here Leaves Silently Fall, a collection of poems, which was published by Arts Initiates in Namibia in 2009)
IF I WERE A POET
If I were a poet,
I will cook my poems with good ingredients
Polish their plates with everyday words
Scrub the floor white with catharsis
Start the stove with enjambment
Put the rhymes into the pot,
And to rhymes I’ll add irony and litotes
For the presence of modernism,
I would leave the meters for other forms.
To create well enough IMAGERY for an awesome taste, I’ll also add my assonance.
To paradox, simile. To simile, metaphor.
Instead of pathos, I would add satire missed with hyperbole for great savour.
I would boil some alliteration with personifications to cause it to chyme,
Then to make this poem soup last,
I will fill it with epistrophy and homonyms.
After this, I would serve this poem in a well-designed tray of onomatopoeia and chilled Repetition to make it last long to any that eats of it.
But Since I am no poet,
I’ll continue eating poems as though they have no form and style.
(By Ambassador Dan Amakor – African Writer and Poet)
ODE TO PAMUSTA
I was foretold of a woman
whose beauty like the sun
doth shine.
A virtuous man , whose wit
none can confine.
Passed mildly the thought
of a woman so pure and rare.
In this cruel dungeon of a
a world
Lo , upon your face he gazed.
Like lightning I was sneered
with the beauty of such a face.
A sweet rose of sixteen
He vowed to wait till he could smell.
The scent of a divine flower
named after the sweetness of honey.
A date with destiny they set-
For a day as rare.
That their hearts may lock
as one.
All my treasures, sighs, tears, oaths and letters kept for this time due to me.
Pamela I shall never have all thee
If thou be not by my side.
I Mutsa all the world I shall
vanquish for your delight
as grace.
If thou be by my side.
(By NYASHADZASHE CHIKUMBU– I’m a young man, Poet and Writer, whose very ambitious, and strives for complete self-expression. Very interested in all words of art strives to see art gaining its former glory)
The Zimbabwe We Want Poetry Campaign
Great gift of words .
Reply
Mbizo Chirasha – thank you
your introductory narrative draws a clear distinction of the role of women in the home, society and political cabinets –
We should become a force to be reckoned with. A weapon of mass destruction. …
pens that never run dry.
we must fight this war of oppression and abuse and rise as eagles – poised on mountain tops; ready to scoop up tear asunder all forms of tyranny.
Thank you for helping us be eagles.
Reply