Poetry

Lucy Fisher photo

 

By

Rizwan Akhtar

 

 

 

The Call

 

for Tammara Claire

 

 

For a long time words abridged themselves

inside long pages of evening spreading

 

when your call exposed pretentious peering

as if silence was a kingdom you erected

 

now decided to surrender implosively

rattling the volume of night, heeding

 

to things we exchanged in the dark corner

of my room housing various memories

 

until this recent shrill of telephonic tearing

of excuses and pauses created the lateral

 

logic of seeing again and unabashedly

even birds have subtle ways of expressing

 

love forgotten on feathery fall of leaves

and spaces wings cover in the length of a day

 

compared to our elliptical walk on pavements

half-steps and reluctant turns, swerving

 

foisting monosyllabic utterances after

not meeting for longer, on this occasion

 

a huddle of impulse moistened your eyes

a face reading me clung to the phone.

 

 

 

 

 

Tea With Ellen

 

 

It was a regular winter-wafted day Ellen and me

had tea in a bistro outside Baker Street where

an occasional pigeon reminded me of the home

and roadside shanty tea-sellers pouring muddy

chai in white cups barely gratifying, spooned

seductively from Cyclone tea tin-box embossed

with colonial enterprise; I wondered at the milky

boiling and the length of business.

Out there with drizzling and seagulls of London

taking flights we had English Breakfast Tea

in a ceramic cup Ellen held with a complacent smile

neither dull nor dust-fringed the liquor swirled and

I peered at Ellen’s elbows, aroma flaunted

over her steamy cherried-cheeks and she kept

a mum ritual of sipping, the blend watered her mouth

made to produce a relevant sound in the deeper passage

of throat connected to a throbbing cleavage

arched neck graced each time she lifted her upper lip

smoky scent gulped the desire to stem her flair

the way she held the cup the English could have

coined a term but I looked at her entangled fingers

and imagined tea leaf in plantations withering.

Out there an old man sang Frank Sinatra on Banjo

and people threw coins, I could see the derelict

beggar back in Lahore wanting gratis tea

in a chipped bowl but here she made me dream

as if tea-talkers we talked the evening,

organoleptic or a reluctant outsider I inhaled

the fainting odor of her secure palms while

her sneaking slurps lifted the spongy fingers

blocked by rings as if she was a tea-wave

wanting a tempest, drowning me on the coast.

 

 

 

 

 

Rizwan Akhtar

Rizwan Akhtar’s debut collection of Poems Lahore, I Am Coming (2017) is published by Punjab University Press. He works as an Assistant Professor in the Department of English, Punjab University, Lahore, Pakistan. He completed his PhD in postcolonial literature from the University of Essex, UK in 2013. He has published poems in well-established poetry magazines of the UK, US, India, Canada, and New Zealand. He was a part of the workshop on poetry with Derek Walcott at the University of Essex in 2010.